I am Leverhulme Early Career Fellow at the Faculty of Medieval and Modern Languages and Junior Research Fellow at New College, both at Oxford.

My work bridges the Medical and Environmental Humanities by exploring the dynamics between human physical abilities (habit and skill) and the ecologies that they familiarize and shape. My interdisciplinary research draws on German and European modernist literature, philosophy, and dance, and is in dialogue with wider questions in the philosophy of embodiment.

My forthcoming first book (Camden House, 2024) entitled Habituation in German Modernism explores how early-twentieth-century writers imagined the ways in which we adapt to new and/or unfamiliar environments.

My current research project Dancing Modernist Literature is funded by a Leverhulme Early Career Fellowship. This project explores 21st-century dance adaptations of modernist literature and what these adaptations tell us about the continuing relevance of these modernist texts, imagining anew their concerns around sexuality, disability, aging, and gender through the body.

I am series editor of Brill's Bodies & Abilities in Culture, Literature, and the Arts and co-curator of Kafka: Making of an Icon, a major exhibition at the Weston Library in Oxford and the Morgan Library in New York.

As a former professional ballet dancer, I have danced leading roles in such ballets as The Nutcracker, A Streetcar Named Desire, Romeo and Juliet, Le Spectre de la Rose, and A Midsummer Night's Dream.





  • Mate (Choreography, premiere: 9 June 2011, TanzArt OstWest Festival, Gießen, Germany)
    'Smashingly funny ... delightful, a highlight' ('Umwerfend komisch ... köstlich, ein Höhepunkt', Heiner Schultz, 11 June 2011, Gießener Anzeiger)